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MARCH 26 - APRIL 13, 2025

Camelot

Lerner & Lowe
Adapted by David Lee
Director: Emily N. Wells
Music Director: Ian Axness

Due to popular demand: Extended to April 13!

‘Camelot – Small Cast Version’ is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI: www.mtishows.com

Embark on a majestic journey to a realm where honor, dignity, and morality pave the way for a new era under the youthful King Arthur’s reign. This tightly focused adaptation of the classic musical Camelot breathes new life into the legendary love triangle with the same musical favorites “If Ever I Would Leave You,” “The Lusty Month of May,” “I Loved You Once In Silence,” and “Camelot”

Witness as this beloved musical is reborn, offering a spellbinding experience that celebrates love, leadership, and the quest for an ideal world.

Recommended if you liked… Fiddler on The Roof, Mame

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Performance Dates and Tickets

Click “BUY TICKETS” to purchase from Dayton Live, our box office and only ticket seller. Please contact the box office for ticket related inquiries at (937) 228-3630.

 

Tuesday, March 25 • 7:30PM
PAY WHAT YOU CAN
Wednesday, Mar 26 • 7:30PM
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Thursday, Mar 27 • 7:30PM
INSIDE TRACK • A pre-show conversation in the lobby with the creative team at 6:45
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Friday, Mar 28 • 7:30PM
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Saturday, Mar 29 • 7:30PM
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Sunday, Mar 30 • 2:00PM
WHILE WE’RE ON THE SUBJECT • A candid, post-show conversation with cast, thematic experts
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Sunday, Mar 30 • 7:30PM

SAWBUCK SUNDAY

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Tuesday, Apr 1 • 7:30PM
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Wednesday, Apr 2 • 7:30PM
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Thursday, Apr 3 • 7:30PM
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Friday, Apr 4 • 7:30PM
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Saturday, Apr 5 • 7:30PM
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Sunday, Apr 6 • 2:00PM
PARENTS’ DAY OUT • You watch the show, and we’ll entertain the kids (ages 5-12) with a world-class theatre workshop (a $100+ value) that is free with the purchase of your tickets.

 

WHILE WE’RE ON THE SUBJECT • A candid, post-show conversation with cast, thematic experts
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Thursday, Apr 10 • 7:30PMBUY TICKETS
Friday, Apr 11 • 7:30PMBUY TICKETS
Saturday, Apr 12 • 2:00PMBUY TICKETS
Saturday, Apr 12 • 7:30PMBUY TICKETS
Sunday, Apr 13 • 2:00PMBUY TICKETS

 

  • Tickets

    $10 - $53

  • Runtime

    TBD

  • Rating

    pg

The Human Race Theatre Company

Executive DirectorKappy Kilburn

Artistic DirectorEmily N. Wells

Creative ProducerTara Lail

Present:

DIRECTOR EMILY N. WELLS+

MUSIC DIRECTOR IAN AXNESS

CHOREOGRAPHER KIERSTEN FARMER

INTIMACY/FIGHT DIRECTION GINA CERIMELE-MECHLEY

SCENIC DESIGNER CHARLIE CALVERT

COSTUME DESIGNER MOLLY WALZ

LIGHTING DESIGNER DIANE FERRY WILLIAMS#

SOUND DESIGNER KAITLIN BARNETT PROCTOR

PROPERTIES DESIGNER SARAH GOMES

Production Stage Manager MARK TYNAN*

Time: 

Place: 

CAST BIOGRAPHIES

JUSTIN KING

Reveler #1, Squire Dap, Mordred

Justin is a Columbus-based actor who is thrilled to be back in Dayton! Justin received his BFA in Acting from Wright State University and previous credits include TheatreLab Dayton’s productions of Sweeney Todd and Something Rotten!, as well as a workshop production of Pump Up the Volume right here at The Loft Theatre. This June, you can catch him in the primary lineup at the Cincinnati Fringe Festival as he debuts a new play with his production company, Ben & Justin Present. Many thanks to his friends & family for their love & support and the amazing Ohio theatre communities he’s fortunate to be a part of!  @jkaaaaang @benandjustinpresent 

JASON SLATTERY*

Reveler #2, Dinadan

Jason is so excited to be making his Human Race debut in Camelot.  He is a 2010 graduate of the Music Theatre department at the Baldwin-Wallace Conservatory of Music. Regional credits include: Sister Act, Evita, The Nutcracker, and She Loves Me (Marriott Theatre); Sweeney Todd (Paramount Theatre); Legally Blonde (Westchester B’way Theatre); The Producers (Ivoryton Playhouse); Into the Woods, The Producers, Secret Garden (TheatreLab Dayton). For 3 years, Jason traveled the world, circling it twice, as the lead male vocalist with Silversea Cruises. Lots of thanks to the cast for this wonderful time together and the creative team for this opportunity. Jason’s most important role to date is…PAPA! Lots of love to my little man, Landon. For Z.

TAI ROSENBLATT

Reveler #3, Sagramore

Tai (he/him) is from Louisville, Kentucky and is making his Human Race Theatre Company debut! His recent credits include Cincinnati Playhouse in the Park’s Rutka: A New Musical (Lolek/Mulek Swing) and The Velveteen Rabbit (Little); Kentucky Shakespeare Company’s Spring Tours of A Midsummer Night’s Dream (Oberon) and Julius Caesar (Marc Antony); Oregon Cabaret Theatre’s Legally Blonde (Courtney/Sundeep/Nikos). Other regional credits include Actors Theatre of Louisville (New Voices Festival); Stage One Family Theatre (The Last Stop on Market Street, Number the Stars); Cincinnati Landmark Productions (Meet Me in St. Louis, The Addams Family, Bye Bye Birdie); FILM/TV: Saint Clare. Tai has a BFA in Musical Theatre from Northern Kentucky University School of the Arts. He would like to thank his friends and family for their unwavering support.

CHRISTIAN HALL*

Reveler #4, Lionel

Christian graduated from Xavier University in 2019 where he studied music and theatre. His favorite Xavier Theatre memories include performing in Rent and Company and composing for Antigone: Born Against, directed by the late Ed Stern. Some recent credits include Plato in Cinderella (Ensemble Theatre Cincinnati), Police Officer #2 in Gaslight, a new version for the stage by Steven Dietz (Cincinnati Shakespeare Company), and Dad in Diary of a Wimpy Kid: The Musical (Columbus Children’s Theatre). In his spare time, he likes to cook, bake, listen to classical music, and find any excuse to make himself and his friends laugh. Christian would like to thank his friends and family for their continuous support. Enjoy the show!  @deck_the_hall

SHANNON LANE

Reveler #5, Tom

Shannon (she/they) is thrilled to be making her Human Race debut! She recently graduated from Wright State University with a BFA in Acting. Previous shows include Shake, Rattle, and Glow (Hersheypark), On the Town, Bright Star, Sweet Charity (Wright State), and Spring Awakening (Short North Stage). She would like to give all her love and thanks to her family and her girlfriend Lilly for everything they are. Enjoy the show! @shannlane

ADAM THATCHER*

Reveler #6, Arthur

Adam is thrilled to be joining the cast of Camelot! Adam is a Chicago-based actor and dialect coach where he also works as the Assistant Professor of Voice & Speech at Roosevelt University’s Theatre Conservatory. He earned his MFA in Acting from the University of Illinois and has since been thriving in the Chicago theatre scene performing at the Goodman Theatre, BoHo Theatre, Refracted Theatre Co., among others. Most recently, Adam played the role of Peter in Citadel Theatre’s production of Silent Sky, a show that was nominated for a JEFF Award. Along with this role, some of his favorites include playing Ben in St. Sebastian (Refracted Theatre Co.), Romeo in Juliet (Shimoda, Japan), Polonius in Hamlet (Richmond Shakespeare), and Antonio in The Merchant of Venice (Montana Shakespeare). In addition to teaching, acting, and coaching, Adam works as a freelance Alexander Technique instructor around the Chicago area. A big thanks to Wade and the rest of his family for their undying support and love! Make art and change the world!

ALEAH VASSELL*

Reveler #7, Guenevere

Aleah (they/she) is a Canadian born, Jamaican rooted, American based actor, writer, and composer. They received their BFA in Musical Theatre from Samford University and their MFA in Acting from University of Tennessee, Knoxville. As an actor, regional favorites include: Jenny Jones is This is Tom Jones! (Human Race Theatre), Norma in Hands on a Hardbody (Ensemble Theatre Cincinnati), Dionne in HAIR (Clarence Brown Theatre), Deloris in Sister Act (Charleston Stage Theatre). As a composer and playwright, Aleah’s original works have been featured at Cincinnati Shakespeare Company and Ensemble Theatre Cincinnati with more to come this year. www.aleahvassell.com

TREVOR BUNCE*

Reveler #8, Lancelot

Previous credits: Guys and Dolls at the Guthrie Theater (Swing, u/s Nicely Nicely Johnson), Rent 25th Anniversary Tour (Swing, Steve, u/s Roger).

This is Trevor’s first show at Human Race Theatre, but hopefully not his last. He has longed to play Lancelot for many a year.

Love to Bean and Oz and my dear family.

To keep up with Trevor’s music, novels, board game design, and more: thetrevorbunce.com

^  Resident Artist with The Human Race Theatre Company

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

CREATIVE TEAM BIOGRAPHIES

EMILY N. WELLS+ Director

Emily is an award-winning theatre director, creative producer and educator including a significant emphasis on new plays and musicals. She joined The Human Race Theatre Company as its 4th Artistic Director in 2022, and proudly calls Dayton home. She sits on the advisory council for Sinclair Community College Fine and Performing Arts, as well as the festival selection committees for the National Alliance for Musical Theatre and the New Play Exchange.  She’s often an adjudicator at Future Fest at Dayton Playhouse. Other directing credits include Wright State University, Houston Grand Opera, Rice University, Gulfshore Playhouse, Circuit Playhouse, Theatreworks/USA among others. She holds an MFA in Directing from the University of Memphis, a BA in Theatre from Washington University in St. Louis, and is an SDC and AEA Member. In her early career, Emily stage managed on and off Broadway, regionally and on national tours.

IAN AXNESS Music Director

Ian is a conductor and pianist based in Cincinnati, where he is an Assistant Professor of Musical Theatre at the UC College-Conservatory of Music. In addition to teaching, he regularly collaborates on new works and cabaret, and has led productions of opera and musical theatre at Juilliard, Oberlin, Mannes, and New York University Abu Dhabi. Selected credits: Ask For the Moon (Goodspeed Musicals), A Little Night Music, The Tender Land, Orphée aux enfers (Opera in the Ozarks); Sweeney Todd (Barrow Street Theatre); Wonderful Town, Sweet Charity, Cinderella, She Loves Me (CCM); Pericles (Two River Theater); and the New York premiere of Beardo by Dave Malloy and Jason Craig (Pipeline Theatre – Drama Desk nomination for Outstanding Music). Mr. Axness is a proud alumnus of CCM and Oberlin College.

KIERSTEN FARMER Choreographer

Kiersten, born and raised in Dayton, is an Actress, Choreographer, Dancer, and Model. She began dancing at a young age and attended Stivers School for the Arts as a Dance and Choir major. When she’s not on stage or teaching, she’s selling homes, as a realtor. Kiersten also works for The Human Race Theatre as their Executive Operations Coordinator and the Actor Housing Property Manager. Kiersten has been a dancer, choreographer and teaching artist for productions, schools, churches, and various theatres and groups for about fifteen years. She began acting in 2017 and has now performed in over fifteen musicals/plays. Some of her most memorable experiences as an artist are, For Colored Girls at Miami University, Ragtime and Joseph and the Amazing Technicolor Dreamcoat at the Dayton Playhouse, and a short film Colonel Charles Young: An American Patriot in Wilberforce Ohio. Kiersten has a passion for dance and theatre, and she continues to search for new artistic opportunities, aiming to continuously grow and flourish as a performing Artist and Teacher of the Arts. She is excited and honored to be the Choreographer at the Human Race Theatre for the production of Camelot!

GINA CERIMELE-MECHLEY Fight & Intimacy Director

Gina is one of the few female Fight Directors in the country with the Society of American Fight Directors and is the resident Intimacy Director for The Cincinnati Opera and Cincinnati Ballet. Regional credits include: Alabama Shakespeare Festival, Opera Theatre St. Louis, Denver Center Theatre Company, Human Race Theatre, Playhouse in the Park, Cincinnati Ballet, Cincinnati Opera, Cincinnati Shakespeare Company, Ensemble Theatre Cincinnati, and Nin-tendo Motion Capture Studios.  Her work as an Intimacy Director has often been seen at The Cincinnati Shakespeare Company and several high schools in the area. The respect for intimacy needs to begin early which is why she is seriously proud of the work she does for the high school programs. “It is just a kiss” is not a tolerable comment especially when it is a student’s FIRST kiss. Gina focuses much of her time on her now nationally recognized private acting studio and her theatre company, Cincinnati Actor’s Studio & Academy. Gina has been awarded The United States of America Distinguished Teacher Award, was the first recipient of the Cincinnati Arts Association Arts Educator Award, and was nominated for the “Excellence in Theatre Education Award” presented by The Tony Awards. She was just dubbed a knight by the order of The Knights of Madoc, in honor of her “work in the art of stage combat and in recognition of her fine character and enduring good will.”

CHARLIE CALVERT Scenic Designer

Charlie (he/him) is thrilled to make his HRTC debut with the scenic design for Camelot. Recent credits include: Julius Caesar and Twelfth Night at Cincinnati Shakespeare Company; A Christmas Carol, A Man for All Seasons, Blithe Spirit, Henry VIII, Much Ado about Nothing, and Love’s Labour’s Lost at The Shakespeare Theatre of New Jersey; A Comedy of Tenors, Dial M for Murder and Fickle: A Fancy French Farce at Olney Theatre Center; Lady Day at Emerson’s Bar and Grill and Last Five Years (Pennsylvania Shakespeare Festival); Spring Awakening and Let the Right One In at CCM. Charlie received his MFA from NYU’s Tisch School of the Arts and serves on the faculty at University of Cincinnati, College-Conservatory of Music.

MOLLY WALZ Costume Designer

Molly Walz is a costume designer, wardrobe supervisor, and tailor for Broadway Productions, Regional Theater, National/ International Tours and TV/Film.  Proud member of IATSE local #764, Beavercreek HS and Kent State University Alum.

Regional Design: HRTC (Shipwrecked!, Oliver!), Ogunquit Playhouse (Million Dollar Quartet, Sally Struthers in Tootsie and Crazy for You), Cape Playhouse, Papermill Playhouse, Gateway Playhouse, CAPA, Orlando Shakespeare Theatre, Porthouse Theatre, Theatre SilCo, Ohio University, Garden Theatre.

Wardrobe Supervision/Associate Costume Design:

Broadway: Aladdin, Frozen, Moulin Rouge, Tina, Summer;

Pre-Broadway: A Beautiful Noise; Tours: Disney’s The Lion King, Mamma Mia, White Christmas, Rent: 20th Anniversary

Career Highlights: The Metropolitan Opera (Wardrobe Supervisor), The Equalizer Season 2 (Fitting Costumer/2nd Tailor)

Molly became a Midwest-based artist after moving her home base from NYC to Columbus, OH in Fall 2022.
Owner: Sanctuary Inclusive Tailoring and Styling.
Instagram: @SanctuaryTailoring

DIANE FERRY WILLIAMS# Lighting Designer

Diane is a free-lance lighting designer who has lit well over 300 productions of theatre, dance, dance festivals and opera in the US, Canada, Europe and Asia. Awards include a Jeff Award, an After Dark Award, a Carbonelle Award, six Drammy awards, and six Jeff nominations. Diane has a BA from Ashland University in Ohio with a theatre major and a Master of Fine Arts in Theatrical Design from Northwestern University.

KAITLIN BARNETT PROCTOR Sound Designer

Kaitlin is a sound designer and audio engineer, currently pursuing an MFA in Sound Design at the University of Cincinnati’s College-Conservatory of Music. She graduated with a B.S. in Audio Engineering Technology from Belmont University. Kaitlin has designed and engineered for companies such as Studio Tenn, Nashville Repertory Theatre, Nashville Children’s Theatre, Street Theatre Company, Chaffin’s Barn Theatre, Belmont University, and New York Stage and Film.  Her recent credits include Emilia, In the Green, The 25th Annual Putnam County Spelling Bee, Fellow Travelers, UC-CCM; What the Constitution Means to Me (Assistant), Ensemble Theatre Company. Kaitlin has been nominated for a KCACTF Region IV Festival Sound Design award, two First Night Awards for Outstanding Sound Design, and a Broadway World Nomination for Best Sound Design for a Play or Musical.

SARAH GOMES Properties Designer

Sarah has worked both on stage and off in Dayton and surrounding areas for over 20 years. She holds a B.A. in Theatre from the University of Dayton and a Drama Diploma from The Greater Hartford Academy of the Arts. Sarah’s areas of specialty in props include puppets, paper goods, and historical artifacts. In addition to working as Properties Designer at The Human Race Theatre Company since 2021, she has worked with Zoot Theatre Co, The Rising Phoenix Theatre Co, Sinclair Community College, University of Dayton, Central State University, Dayton Theatre Guild, The Dayton Playhouse, and Town Hall Theatre. Sarah is proud to be part of the vibrant arts community that Dayton has to offer.

MARK TYNAN* Production Stage Manager

Mark is thrilled to be back in his native Ohio and able to see his great nephews, Elliott, Gabriel, Rowan, and Luca (and the rest of his family) in person rather than on the Facebook.  Mark got his BFA from Wright State University with his first two years at The Ohio State University.  He is a proud 40-year member of Actors’ Equity Association.  His career includes Radio City Music Hall, subbing on Broadway, national and international tours, regional theatre and corporate events.  It is an honor to be working with The Human Race Theatre Company, very grateful.

^  Resident Artist with The Human Race Theatre Company

+ The director is a member of the Stage Directors and Choreographers Society, an independent labor union

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

THE PRODUCTION TEAM

  • Technical Director

    MACKENZIE PERIN
  • Carpenter/Charge Artist

    JEFF HEATER
  • CARPENTERS

    ADAM J. DAVIS, TIM JUDGE, Josh McEwen
  • AUTOMATION

    Scott J. Kimmins, D. Tristan Cupp
  • Production Stage Manager

    MARK TYNAN*
  • ASSISTANT STAGE MANAGER

    ISABELLA MYERS
  • ASSOCIATE SCENIC DESIGNER

    GABBY S. TRICE
  • ASSISTANT FIGHT DIRECTOR

    CHANCELLOR PULLINS
  • Costume Shop Manager

    VICTORIA “ORI” RANCOR
  • Wardrobe

    ANDREW IAN ADAMS^
  • SOUND ADVISOR

    emily c. porter
  • SOUND ENGINEER

    BAILEY OLEAN
  • RUN CREW

    EVELYN VORDTRIEDE
  • PRODUCTION ELECTRICIAN

    JOSHUA J. RHODES
  • ELECTRICIANS

    CONNOR BUNTS
    ROBERT THADE

^  Resident Artist with The Human Race Theatre Company

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

Band & Music

The Band

VIOLINIST     KERRIGAN MANDRELL

CELLIST     JULIE LIM

WOODWINDS     JAMES WIEDERHOLD

KEYBOARD     IAN AXNESS

BASS     BEN GRABELL

PERCUSSION     FELICIA DELLIS

PERCUSSION SUB     BRADLEY CORDONNIER

The Music

Act 1

1. Act I Opening
2. March
3. I Wonder What the King is Doing Tonight ….. ARTHUR
4. The Simple Joys of Maidenhood ….. GUENEVERE
5. Camelot ….. ARTHUR
6. Camelot Reprise ….. GUENEVERE
7. C’ est Moi ….. ARTHUR, GUENEVERE, LANCELOT
8. The Lusty Month of May ….. GUENEVERE, REVELERS, KNIGHTS
9a. Take Me to the Fair ….. GUENEVERE, KNIGHTS
10. How to Handle a Woman ….. ARTHUR
11. The Jousts ….. GUENEVERE, LANCELOT, KNIGHTS
…..….. ARTHUR, REVELERS
12. Before I Gaze at You Again ….. GUENEVERE, LANCELOT
13. Finale Act I

Act 2

14. Opening-Act 2-If Ever I Would Leave You ….. LANCELOT, KNIGHTS
14a. If Ever I Would Leave You-Playoff
15. The Seven Deadly Virtues ….. MORDRED
16. Fie In Goodness ….. MORDRED, KNIGHTS
17. What Do the Simple Folk Do? ….. ARTHUR, GUENEVERE
17a. Simple Play Off
17b. Percussion Solo
18. I Loved You Once in Silence ….. GUENEVERE, LANCELOT
19. Guenevere ….. MORDRED, GUENEVERE, LANCELOT
………. ARTHUR, REVELERS
19a. Fanfare in the Distance
20. Farewell
21. Finale Ultimo ….. ARTHUR, KNIGHTS, REVELERS
22. Bows

Special Thanks

MUSE MACHINE, SEAN VORE, JR Riechers, Darion Lee, Ethan Legge,
Rich Reuter, Pete Fitzkee, Steve Williams, Chris Brislin



If you’d like to become a sponsor, contact Kappy Kilburn at (937) 461-3823 ext. 3112 or kappy@humanracetheatre.org