2026-2027 Season Auditions (In-person)

WHEN:            Saturday, June 6, 2026    9am – 5:30 pm (lunch from 1-1:30)
Sunday, June 7, 2026      9am – 5:30 pm (lunch from 1-1:30)
WHERE:HRTC Rehearsal Studio
126 North Main Street, 2nd Floor
Dayton, Ohio 45402
TO PREPARE:Two contrasting 1.5-minute monologues.
TO SCHEDULE:For local appointments in Dayton, book anytime: https://tinyurl.com/HRTC2627

— No voice messages please.  No emails please. —

For out of town AEA members, you are welcome to submit video of two contrasting contemporary monologues anytime to submissions@humanracetheatre.org

Call backs will be held on a show by show basis, about 4 months prior to the first rehearsal.


About The Human Race Theatre Company

The Human Race Theatre Company is a professional theatre that works under a Small Professional Theatre Contract (SPT 6) and performs in the Loft Theatre, a 212-seat thrust stage.

Emily N.  Wells, Artistic Director | Kappy Kilburn, Executive Director

  • Rehearsals are primarily evenings on weekdays and daytime on weekends.
  • 6 performances per week Tuesdays-Saturdays at 7:30pm, Saturday and Sundays matinees at 2pm.
  • Auditions are open to Non-Equity and Equity Actors (unless otherwise noted), with Non-Equity actors having the opportunity to join the Equity Membership Candidacy Program.

The Human Race Theatre Company encourages auditions from performers of all ages, races and ethnicities, gender identities, sexual orientations, and abilities.

Auditions will be held for the following productions and roles:

SALEM: Blood To Drink
By Maggie Lou Rader

Directed by Heather Wilson-Bowlby

First Rehearsal – September 21, 2026
First Preview – October 14, 2026
Opening – October 16, 2026
Closing – October 25, 2026

In this modern dark comedy about the ever present “why” behind America’s most famous witch hunt, Elizabeth Proctor finds herself on the wrong side of witchcraft accusations alongside Sarah Good, Bridget Bishop, and Ann Foster in Salem, 1692. They reckon with their faith, fears, and just how much society has suddenly forced them to have in common. Nothing brings people together like a common enemy, but when their enemy is placed directly in the middle of their cell, the rules of society that say women are subservient are quickly abandoned.

 

ROLES

  • Elizabeth Proctor (30’s-40’s – female or non-binary) A woman who loves her God and her husband. Righteous, devoted, walks the straightened arrow. Terrified of making a mistake. Carries more guilt than sin.
  • Sarah Goode (20’s – 30’s – female or non-binary) A woman who inherited her late husband’s debts but not her father’s wealth. Society has handed her every short stick in the bundle. She’s noticed.
  • Bridget Bishop (40’s-60’s – female or non-binary) A woman whose reputation proceeds her as men in her life wish she’d committed more sins than she did. She is used to being discussed just because she wore that ONE RED PETTICOAT that ONE TIME… Been accused of being a witch before… it’s a vibe she’s got.
  • Ann Foster (60’s-80’s – female or non-binary) A woman who was broken long ago. A woman who wants to rest. A woman who deserves to be left alone. A woman who doesn’t say nearly as much as she feels.
  • George Burroughs (40’s – 50’s – white, male) A minister. Physically strong, emotionally…not so much. Opinionated. Confident. Obstinate. Wants to do good, but way too slow in his growth and who’s got time for that? No one in that prison cell.

REINDEER SESSIONS
by Eric Ulloa
Director Igor Goldin

BLITZEN – The role is cast.

DR. ARBOR – The role is cast

 

 

 

 

A MIDSUMMER NIGHT’S DREAM
By William Shakespeare
Director Emily N. Wells

First Rehearsal – January 11, 2027
First Preview – February 3, 2027
Opening – February 5, 2027
Closing – February 21, 2027

Four impetuous young lovers flee into the magical moonlit night through the dunes and on the sand in true “beach blanket” fashion. Not to be outdone, the fairy Puck plays tricks to amuse the other denizens of the misty coastline, and makes sure that everything turns out right in the end.  Shakespeare’s beloved romantic comedy sparkles with vivacious imagination in this fresh adaptation.

ROLES

Actor 1 – THESEUS & OBERON (male identifying, 30s-50s) a sense of superiority

Actor 2 – HIPPOLYTA & TITANIA (female identifying, 30s-50s) nurturing, worldly

Actor 3 – EGEUS & BOTTOM/ “Pyramus” (any, 40’s-50s) believes they are always right

Actor 4 – PHILOSTRATE & PUCK, (any) kind and mischievous servant

Actor 5 – HERMIA, (female, 20s) daughter to Egeus, petite, in love with Lysander; a little nerdy

Actor 6 – HELENA, (female, 20s) in love with Demetrius, tall – beach babe

Actor 7 – LYSANDER, (male, 20s) in love with Hermia; a little nerdy

Actor 8 – DEMETRIUS, (male, 20s) in love with Hermia – beach dude

Actor 9 – QUINCE, the Carpenter/PROLOGUE; COBWEB (any) the organizer of the group

Actor 10 – SNUG, the Joiner/ LION; MOTH (any)

Actor 11 – FLUTE, the Bellows-mender/ THISBE; MUSTARDSEED (any)

Actor 12 – SNOUT, the Tinker/ WALL & MOONSHINE; PEASEBLOSSOM (any)

WHAT BECAME OF US
by Shayan Lotfi
Director TBD

First Rehearsal – March 15, 2027
First Preview – April 7, 2027
Opening – April 9, 2027
Closing – April 18, 2027

Siblings Q and Z reflect on their childhood, their family’s immigration journey, and the complex realities of growing up between two cultures. Through fragmented memories, the play explores how identity, sacrifice, and personal choices shape their diverging paths and strain the siblings’ relationship over time. Ultimately, it is an in-depth examination of family, belonging, and the emotional cost of becoming who we are.

 

ROLES
Q – In the winter of her life. Was born in ‘The Old Country’ in the “Global South,” immigrated with her parents to ‘This Country’ in the “Global North” six years later.

Z – Younger sibling of Q by seven years. First in the family to be born in ‘This Country’

FROM THE PLAYWRIGHT:

While the roles of Q & Z are to be performed by actors of the same diasporic background, this can be of any region of the “Global South”, without any changes to the text.

JOB
by Max Wolf Friedlich
Director Emily N. Wells

First Rehearsal – May 10, 2027
First Preview – June 2, 2027
Opening – June 4, 2027
Closing – June 13, 2027

Unsettled by her job as a content screener for a big tech company, Jane seeks therapy to cope with the horrors she witnesses. The line between her work and her reality distorts in this taught and timely thriller.

ROLES

JANE – female, twenty-five to thirty, white, young professional living in the Bay Area, knows how to dress to fit in, “self-aware” to a fault, wouldn’t be out of place at SoulCycle.

LOYD – male, sixties or older, white, lived in the East Bay his whole life, rocks a hippie-adjacent sort of look, has a high opinion of himself, wouldn’t be out of place at a Grateful Dead show.