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DECEMBER 11 - 22, 2024

A Frosty Night

By Mark Brown
Directed by Emily N. Wells

In this world premiere farce, Mark Brown takes on winter with a twist! Sharon, Frosty the Snowman’s wife, knows that he’s up to no good and follows his trail to the North Pole. Will she catch him in the act? Laugh ‘til you’re blue with this adults-only comedy…

Recommended if you liked… This is Tom Jones!, Reindeer Sessions, Who’s Holiday

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Performance Dates and Tickets

Click “BUY TICKETS” to purchase from Dayton Live, our box office and only ticket seller. Please contact the box office for ticket related inquiries at (937) 228-3630.

Wednesday, Dec 11 • 7:30PMBUY TICKETS
Thursday, Dec 12 • 7:30PM
INSIDE TRACK • A preshow conversation with Artistic Director Emily Wells & a member of the creative team.
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Friday, Dec 13 • 7:30PM
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Saturday, Dec 14 • 7:30PM
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Sunday, Dec 15 • 2:00PM
PARENTS’ DAY OUT • You watch the show, and we’ll entertain the kids (ages 5-12) with a world-class theatre workshop (a $100+ value) that is free with the purchase of your tickets.
WHILE WE’RE ON THE SUBJECT • A candid, post-show conversation with cast, thematic experts
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Sunday, Dec 15 • 7:30PM
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Tuesday, Dec 17 • 7:30PM
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Wednesday, Dec 18 • 7:30PM
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Thursday, Dec 19 • 7:30PM
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Friday, Dec 20 • 7:30PM
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Saturday, Dec 21 • 2:00PM
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Saturday, Dec 21 • 7:30PM
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Sunday, Dec 22 • 2:00PM
PARENTS’ DAY OUT • You watch the show, and we’ll entertain the kids (ages 5-12) with a world-class theatre workshop (a $100+ value) that is free with the purchase of your tickets.
WHILE WE’RE ON THE SUBJECT • A candid, post-show conversation with cast, thematic experts
BUY TICKETS

 

  • Tickets

    $10 - $53

  • Runtime

    80 minutes

  • Rating

    r

The Human Race Theatre Company

Executive DirectorKappy Kilburn

Artistic DirectorEmily N. Wells

Creative ProducerTara Lail

Present:

DIRECTOR EMILY N. WELLS+

SCENIC DESIGNER ERIC BARKER

COSTUME DESIGNER AMEERA ANSARI

LIGHTING DESIGNER JESSICA DRAYTON

INTIMACY DIRECTOR GINA CERIMELE-MECHLEY

SOUND DESIGNER BAILEY OLEAN

PROPS DESIGNER SARAH GOMES

PRODUCTION STAGE MANAGER MARK TYNAN*

Time: 

Place: 

CAST BIOGRAPHIES

MIERKA GIRTEN*

Sharon

Mierka is happy to celebrate her 10th production with The Human Race Theatre. She remembers how excited she was to be cast in their first musical, Baby, directed by her friend and mentor, Robert Hetherington. Since then, Dayton audiences have seen Mierka in Barbecue, Our Lady of Perpetual Help, Master Class and Beehive, among many others. An ensemble member with Chicago’s A Red Orchid Theatre, some of Mierka’s highlights include Sweat at The Goodman, Mistakes Were Made, off Broadway, and Gloria: A Life and Simpatico at the McCarter Theatre. Mierka has worked at Cincinnati Playhouse in the Park, Cincinnati Shakespeare Theatre and Ensemble Theatre Cincinnati. Films include Sheila in Eric Larue, directed by Michael Shannon, and Mom in The Bike Riders, directed by Jeff Nichols. Additionally, she has toured nationally with The Secret Garden. Mierka played herself in Anthony Bourdain’s Parts Unknown and is also a successful voice-over and narration artist.

CHRISTINE BRUNNER*^

Noel Claus

Christine (SAG/AFTRA, AEA), is a Resident Artist with HRTC.  She was last seen on the Loft stage as Devorah/Violet in the world premier of Kash & Hughes’ Deadline, and before that as Josephine O’Shea in Katie Forgette’s Incident at our Lady of Perpetual Help, and other credits include Truvy in Steel Magnolias, Gillian in Permanent Collection, and #5 in the Professional Premier of Eric Ulloa’s 26 Pebbles.  Christine is a busy commercial actor, and voiceover artist, and is the Founder of Limelight Studio in Dayton, OH where she works with stage actors, onscreen actors, voiceover artists, and works with families of students auditioning for collegiate performing arts programs, across the USA live and virtually.  She appears in the upcoming film Hand On Camera, and works extensively as a dialect coach regionally, working with casts of shows such as Wife of a Salesman, Clue: On Stage, Disney’s Newsies, The Play that Goes Wrong, 26 Pebbles, The Adventures of Sherlock Holmes, Spitfire Grill, and is known for her voice and dialect work onstage and in podcast series like @DearestPodcast, for which she lends voices to a variety of female characters.  Christine is the voice of the audio version of the ACT test, and was the exclusive hand model for many P&G products for over a decade.  Christine is a member of the Educational team at The Human Race.

TIM LILE^

The Snowman

Tim, a Resident Artist with The Human Race, holds an MFA in Acting from Ohio University. Past performances include The Cake, Lend Me a Tenor, Ears on a Beatle, A Tuna Christmas, Moonlight and Magnolias, The Underpants, The Odd Couple, Spinning into Butter, Resident Alien, Art, Trip to Bountiful, On Golden Pond, The Beauty Queen of Leenane and Picasso at the Lapin Agile. He spent some Christmas seasons as Crumpet in The Human Race productions of The Santaland Diaries and as Dad in A Christmas Story at the Victoria Theatre. Directing credits include Rounding Third, Take Me Out and Lombardi. Tim is also a third-generation auctioneer specializing in the sale of real estate at auction and owner of the online auction firm BidNow, LLC.

^  Resident Artist with The Human Race Theatre Company

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

CREATIVE TEAM BIOGRAPHIES

EMILY N. WELLS+ Director

Emily is an award-winning theatre director, creative producer and educator including a significant emphasis on new plays and musicals. She joined The Human Race Theatre Company as its 4th Artistic Director in 2022, and directed Grounded to kick off her first season followed by the world premiere of This Is Tom Jones! in 2023. Emily also directed the recent Houston Grand Opera World Premiere Another City, a new opera that tells the true stories of un-housed Houstonians. She sits on the advisory council for Sinclair Community College Fine and Performing Arts, as well as the festival selection committees for the National Alliance for Musical Theatre and the New Play Exchange.  She’s often an adjudicator at Future Fest at Dayton Playhouse. Other directing credits include Wright State University, Rice University, Gulfshore Playhouse, Circuit Playhouse, Theatreworks/USA among others. She holds an MFA in Directing from the University of Memphis, a BA in Theatre from Washington University in St. Louis, and is an SDC and AEA Member. In her early career, Emily stage managed on and off Broadway, regionally and on national tours. She is proud to call Dayton home.

ALEAH VASSELL Assistant Director

Aleah (they/she) is excited to make their Assistant Director debut at HRTC! They are a Canadian born, Jamaican rooted, American based, multi-passionate theatre professional. Aleah holds a B.F.A. from Samford University and an MFA in Acting from UTK. She loves writing and directing new works about powerful women even though you will most likely find her on stage. Acting wise, Aleah has most recently been in Hands On A Hardbody at Ensemble Theatre Cincinnati, Amen Corner at Cincinnati Shakespeare, and This Is Tom Jones! last year here at the Human Race. When they’re not doing theatre, you can find them lost in the woods with their spouse, Emme. www.aleahvassell.com.

GINA CERIMELE-MECHLEY Intimacy Director

Gina is one of the few female Fight Directors in the country with the Society of American Fight Director and is the resident Intimacy Director for The Cincinnati Opera and Cincinnati Ballet. Her work as an Intimacy Director has often been seen at The Cincinnati Shakespeare Company and several high schools in the area. The respect for intimacy needs to begin early which is why she is seriously proud of the work she does for the high school programs. “It is just a kiss” is not a tolerable comment especially when it is a student’s FIRST kiss. Gina focuses much of her time on her now nationally recognized private acting studio and her theatre company, Cincinnati Actor’s Studio & Academy. Gina has been awarded The United States of America Distinguished Teacher Award, was the first recipient of the Cincinnati Arts Association Arts Educator Award, and was nominated for the “Excellence in Theatre Education Award” presented by The Tony Awards. She was just dubbed a knight by the order of The Knights of Madoc, in honor of her “work in the art of stage combat and in recognition of her fine character and enduring good will.”

MARK TYNAN Production Stage Manager

Mark is thrilled to be back in his native Ohio and able to see his great nephews, Elliott, Gabriel, Rowan, and Luca (and the rest of his family) in person rather than on the Facebook.  Mark got his BFA from Wright State University with his first two years at The Ohio State University.  He is a proud 40-year member of Actors’ Equity Association.  His career includes Radio City Music Hall, subbing on Broadway, national and international tours, regional theatre and corporate events.  It is an honor to be working with The Human Race Theatre Company, very grateful.

ERIC BARKER Scenic Designer

Eric is excited to be back with the HRTC family after a brief hiatus. He is the Assistant Professor of Scenic Design at Norther Kentucky University. His recent design credits include: Scenic Designer for The Play That Goes Wrong for NKU’s SOTA; Properties Designer & Artisan for Measure for Measure, The Three Musketeers, King Lear and Twelfth Night for Montana Shakespeare in the Park, Scenic Designer for As You Like It at The Richmond Shakespeare Festival, Shakespeare In Love and As You Like It for Shakespeare Dallas; The Complete Works of William Shakespeare Abridged for The Human Race Theatre, Romeo & Juliet and The Cay for the Indiana Repertory Theatre; King Lear and Comedy of Errors for The Richmond Shakespeare Festival; Vanya & Sonia & Masha & Spike for CATCO; I and You for The Repertory Theater of St Louis; The Glass Menagerie for The Human Race Theatre; Armide and The Marriage of Figaro for Opera Columbus; The Elephant Man, Peter and the Starcatcher, The Final Table and My Name is Asher Lev for CATCO; A Midsummer Night’s Dream and Titus Andronicus for The Richmond Shakespeare Festival; The Merry Wives of Windsor at Santa Cruz Shakespeare; The Marriage of Figaro, The Merry Widow, Spring Awakening and Twelfth Night at Chapman University; Twelfth Night and Macbeth for Shakespeare Orange County.

Eric received his MFA in Scenic Design from the University of California, Irvine and his BA from The Ohio State University.

AMEERA ANSARI Costume Designer

Ameera is Ohio Northern University’s Costume shop manager and Resident designer who teaches costume design and construction. She has worked as a designer and educator in theatre for 17 years. Ansari holds an M.F.A. in costume design from Illinois State University and a B.A. from Pennsylvania State University. She came from Eastern University, located outside the suburbs of Philadelphia, where she was the costume shop manager and resident designer. She is excited to be working again with The Human Race Theatre Company. She costume-designed 2023s holiday production of Reindeer Sessions. In addition, she has worked for other institutions, such as The People’s Light & Theatre Company, Illinois Shakespeare Festival, Pennsylvania Shakespeare Festival, Ursinus College, and The Savoy Opera. ONU costume designs include Ride the Cyclone, Ugly Lies the Bone, It Shoulda Been You, The Addams Family: The Musical, Julius Caesar, Disney’s Beauty and the Beast, The Annual: The ONU Holiday Spectacular, Choreographers’ Showcase, Waiting for Lefty, Blocked!, The House of Bernarda Alba, Spring Awakening: the Musical (an Ezekiel 2020 board choice winner and award of distinction), Carrie: The Musical, and Hayavadana.  Her other credits include Wonderful Town, Godspell, Bell, Book, Candle, Good Person of Szechwan, Noises Off, Our Town, The Centurion, and Twelfth Night.

JESSICA ANN DRAYTON Lighting Designer

Jessica holds a BFA from Wright State University and an MFA from the University of Cincinnati College-Conservatory of Music in Lighting Design. She is the 2024 Howell Binkley Fellowship Recipient. She has assisted on the second national tour of Hamilton and Ain’t Too Proud. Her selected lighting designs include Jersey Boys (Short North Theatre), Fat Ham, Amen Corner, Wrecking Ball, Ma Rainey’s Black Bottom (Cincinnati Shakespeare), Beauty and the Beast, Singing in the Rain, Anxiety Project (Archbishop Alter HS), Once on This Island, Cunning Little Vixen, The 25th Annual Putnam County Spelling Bee, Cinderella (CCM), Winter’s Tale Remix (Epic Theatre Company, NY), Everly Brothers (Ivoryton Playhouse, CT), La Ville Morte (Catapult Opera, NY), and The Secret Garden (TheaterLab Dayton). She could not continue to pursue her craft without the love and support of her friends and family (especially Jonathan, Sophia & Nigel). Explore more of her work at DraytonDesignsLLC.com. Fiat Lux.

SYDNEY RIDDLE Assistant Lighting Designer

Sydney holds a BFA from the University of Cincinnati College-Conservatory of Music in Lighting Design. Her lighting designs include A Wild Party, Poetry in Motion, How Deep is the Soul?, Inevitable Truth (CCM). Her assistant lighting designs include Sweet Charity, Spring Awakening, 30 Years of Stephan (CCM), and Book of Hours, Seven Sisters (Miami University Opera Theater). She also enjoys pursuing her passion for music as a trumpet player. She would like to thank her loving family and friends that support her every day. Find more information at SydneyRiddle.com.

BAILEY OLEAN Sound Designer

Bailey is ecstatic to make his “official” Sound Designer debut with the Human Race Theatre Company. Previously, he showcased his skills behind the soundboard for most of last season. Hailing from Rochester, New York, Bailey’s passion for music blossomed at the Eastman School of Music, where he immersed himself in jazz and musical theater. He has a BFA in Dance from Wright State University, where he showcased his talents in choreography, directing, and producing various student-run productions, main stage performances and cabarets. Additionally, Bailey performed with Dayton Ballet II. Bailey is deeply thankful for the chance to collaborate with such a dynamic company committed to presenting innovative new works. He thanks everyone involved, especially his supportive parents and Ryan.

SARAH GOMES Properties Designer

Sarah has worked both on stage and off in Dayton and surrounding areas for over 20 years. She holds a B.A. in Theatre from the University of Dayton and a Drama Diploma from The Greater Hartford Academy of the Arts. Sarah’s areas of specialty in props include puppets, paper goods, and historical artifacts. In addition to working as Properties Designer at The Human Race Theatre Company since 2021, she has worked with Zoot Theatre Co, The Rising Phoenix Theatre Co, Sinclair Community College, University of Dayton, Central State University, Dayton Theatre Guild, The Dayton Playhouse, and Town Hall Theatre. Sarah is proud to be part of the vibrant arts community that Dayton has to offer.

^  Resident Artist with The Human Race Theatre Company

+ The director is a member of the Stage Directors and Choreographers Society, an independent labor union

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

THE PRODUCTION TEAM

  • Technical Director

    MACKENZIE PERIN
  • CARPENTER

    SCOTT J. KIMMINS
  • CHARGE ARTIST

    JOSH MCEWEN
  • Scenic Artist

    Jeff Heater
  • Production Stage Manager

    MARK TYNAN*
  • ASSISTANT STAGE MANAGER

    DANITZA PIPER
  • DIRECTING OBSERVER

    MARK SHARP
  • Costume Shop Manager

    VICTORIA “ORI” RANCOR
  • Wardrobe

    ASHTON BRUNN
  • SOUND ENGINEER

    BAILEY OLEAN
  • PRODUCTION ELECTRICIAN

    JOSH RHODES
  • PRODUCTION PHOTOGRAPHER

    Ray Geiger

^  Resident Artist with The Human Race Theatre Company

* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership Candidate
Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org

# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.

About the Playwright

Mark BrownPlaywright

Mark Brown is a widely produced playwright throughout America and abroad. His plays and musicals include Around the World in 80 Days; The Gentleman Thief; The Wild Game; This is Tom Jones; The Quest for Don Quixote; Tom Jones;  The Trial of Ebenezer Scrooge; China – The Whole Enchilada; Deep Into That Darkness Peering; The Little Prince. Originally from New Jersey, Mark is a proud member of the Dramatists Guild. He lives in Los Angeles with his wife and daughter and dreams of living on the Côte d’Azur.

Mark received his acting training at the American Conservatory Theatre and has appeared in theatres across the country, including the Tony Award-winning companies South Coast Repertory, the McCarter Theatre (Company member: five years), and the Utah Shakespearean Festival. Films include Out of Sight (with George Clooney), Holy Man (with Eddie Murphy and Jeff Goldblum) and Amy’s O (Winner Best Film: Santa Barbara Film Festival). Notable TV credits include the Emmy Award-winning series From the Earth to the Moon (with Tom Hanks), House, Ally McBeal, Providence, Diagnosis Murder, and countless commercials and made-for-TV films. His song “Bring Me Back Home,” which he wrote and performed, appears in the film The Dig.

 

 

 


If you’d like to become a sponsor, contact Kappy Kilburn at (937) 461-3823 ext. 3112 or kappy@humanracetheatre.org