Hay Fever
by Noël Coward
Directed by Bob Hetherington
- Dates:Apr 8 – Apr 19 2026
- Prices:$10-$53
- Running time:2:10 1 intermission
COLLABORATION with Wright State University
Hoping for a quiet weekend in the country with some guests, Judith and David Bliss, a retired actress and her novelist husband, find peace to be impossible when their children, Simon and Sorel, appear with guests of their own. A houseful of misunderstandings, tempers, and drama ensue as the quiet weekend comes to a hilarious and exhausting end.
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Recommended if you liked… Noises Off; This is Tom Jones!
The Playbill
- Executive Director Kappy Kilburn
- Artistic Director Emily N. Wells
Meet the Cast
Skye HodgkinSorel Bliss
Skye (she/they) is thrilled to be returning to The Human Race Theatre Company! Hailing from the great state of Michigan, Skye is a soon-to-be graduate of Wright State University’s BFA acting program, and has a deep passion for comedy and playwriting. Her recent professional projects in Dayton include Dracula: A Feminist Revenge Fantasy, Really, (The Human Race) Julius Caesar, and 5 Lesbians Eating A Quiche. (Magnolia Theatre Co.) Skye has been engrossed in the theatre scene at Wright State University for the past four years: she is the artistic director of the Jubilee Directing Lab Theatre and produces original plays, runs improv comedy nights, and plays electric bass in her rock band! Some of her favorite projects from Wright State include Lungs, Everybody, Puffs, and most recently a gender-bent exploration of True West. Shout out to the Hodgkin 5! @skye.hodgkin
Char AdamsSimon Bliss
Char (they/them) is excited to be making their Human Race Theatre debut with Hay Fever! They hold a BFA in Acting from Northern Kentucky University (2021). A graduate from Cincinnati Playhouse in the Park’s Teaching Artist Training Fellowship (2024) as well as the Ensemble Theatre Professional Acting Apprenticeship (2024-2025), they work as a teaching artist with Cincinnati Actor’s Studio and Academy (CASA), American Legacy Theatre (ALT), and Ensemble Theatre of Cincinnati focusing on long form improv and improv fundamentals. Recent acting credits include: Guildenstern in Rosencrantz and Guildenstern Are Dead at CASA, Van in The Last Will And Testament of Madison Giles at Ensemble Theatre of Cincinnati, Crow in America’s Favorite Feminist with Ghostlight Stage Company, Dudley/Kudu in It’s FRITZ at Ensemble Theatre of Cincinnati, and Mr. Collins/Kitty Bennet/Mrs. Forester in Pride and Prejudice… Kind Of… with Dayton Drunk Theatre.
Jennifer Joplin *^Clara
Jen (Clara) is thrilled to be back at The Human Race Theatre Company, where she made her professional debut over 30 years ago! A graduate of Wright State and a proud member of Actors’ Equity Association, Jen is originally from St. Louis and has lived and worked in Chicago, New York, and now calls Cincinnati home. Some favorite roles include Dotty in Noises Off at Great Lakes Theater and Idaho Shakespeare Festival; Mrs. Hubbard in Murder on the Orient Express at Cincinnati Playhouse in the Park and Indiana Repertory Theatre; Virginie in The Man-Beast at Know Theatre; Gwen in Rapture, Blister, Burn at Ensemble Theatre; Jaques in a musical As You Like It at Cincinnati Shakespeare; and Harper in Angels in America at HRTC, also directed by the great Bob Hetherington. Jen has also written and performed two one-woman shows at the Cincinnati Fringe Festival. Love to her costar and brother Jared, Jop & Janie, and Jason & Max for their constant support.
Teri Clark Linden*Judith Bliss
Teri is thrilled to be back! Teri’s past HRTC shows include Reindeer Sessions (World Premiere) A Christmas Story & Three Tall Women, directed by Marsha Hanna. Regionally, Teri has performed in Misery (Public Theatre) Wife of a Salesman (Contemporary Theatre) been in 7 productions at actor Jeff Daniels’ Purple Rose Theatre Company (4 World Premieres including last season’s comedy My Mother and the MI/OH War). Additionally, Teri has acted on stages at Actor’s Theatre of Louisville, Kentucky Shakespeare Festival, Meadowbrook Theatre (Kong’s Night Out regional premier with “Laverne & Shirley’s Cindy Williams) several Detroit area theatres (Detroit Rep, Tippingpoint, Williamston) as well as many Chicago theatres, including Court and Piven (directed by Shira Piven). Selected film work includes Dark Waters, I See You, Unsinkable, Aftermath, Jack Reacher, Super 8 and Love & Other Drugs. Teri can currently be seen on the streaming programs “American Rust: Broken Justice” (Amazon Prime), “Bad Guardian” (Lifetime) & “Archive 81”(Netflix). She has also narrated 270 audiobooks (titles on Audible) and serves as a Society of Voice Arts & Sciences Voice Arts Awards Juror. Training Roosevelt University, Chicago and Stella Adler, NY. Proud Member Actor’s Equity, SAG-AFTRA. @tericlarklindenitsme For Dave & Sam.
James Walker*David Bliss
James has been seen locally at several theaters in shows ranging from Dial M for Murder to Parade to The Mystery of Edwin Drood, and most recently as Matt Dillon in Gunsmoke. He spent a decade with the Theatre at Monmouth (Maine) performing Shakespeare – starting as servants and murderers and graduating to such roles as Iago and Shylock. He worked for many years in Boston at both the Lyric Stage and Merrimack Rep, performing Ayckbourn farces, more Shakespeare, and other plays including a pre-Broadway run of Monday After the Miracle. In Wisconsin he was artistic director of the Festival Theatre in St. Croix Falls, helped preserve their historic theater, and aided the creation of a local arts center in an historic barn. He has also worked as a mathematics teacher, and helped coach state mathematics teams in both Minnesota and Ohio to national awards.
Kieran Cronin*Sandy Tyrell
Kieran is honored and excited to make his Human Race debut. Past credits include Louisa May Alcott’s Little Women (Portland Center Stage/Playhouse in the Park), King James (Know Theatre), A Christmas Carol (Playhouse in the Park), Dial M For Murder (TheatreSquared), and One Gay Wedding and Absolutely No Funerals (Cincy Fringe). Kieran would like to thank his family for all of their love and support, especially his wife Stephanie and their delightful daughter Mary. He would also like to thank you for coming and out and supporting live theatre, isn’t it wonderful being all together?
Philip DrennenMyron Arundel
Philip (Myron Arundel) is elated to be making his Human Race debut! A Dayton native, he currently serves as Executive Director of TheatreLab Dayton. Philip holds a BFA in Musical Theatre from CCM and has spent much of his adult life performing in national tours and regional productions across the country. In addition to performing, Philip is a composer/lyricist; his most recent show, The Big Gay Jamboree, ran Off-Broadway at the Orpheum Theatre and earned him a Drama Desk nomination for Best Lyrics. All my love to Chris and the family for their support. And Lucy who won’t see this. Cheers!
Evelyn VordtriedeJackie Coryton
Evelyn is absolutely delighted to be back at the Human Race. Evelyn is a Musical Theatre Major at Wright State University, and is originally from Saint Louis, Missouri. She has been involved in productions around the Saint Louis area including MUNY, Variety Children’s Theatre, COCA, and many others. This fall you may have seen Evelyn as Drusilla in Kate Hamill’s Dracula at the Human Race. Some other favorite credits include Rent (MUNY), Much Ado About Nothing (Wright State), A Streetcar Named Desire (Tennessee Williams Festival St. Louis), Joseph and The Amazing Technicolor Dreamcoat (MUNY), Carrie (Wright State).
Jared Joplin*Richard Greatham
Jared is perfectly enchanted to return to Human Race Theatre Company after last appearing in AROUND THE WORLD IN 80 DAYS. He has worked regionally and in New York at Cincinnati Playhouse in the Park, Ensemble Theatre, Cincinnati Shakespeare Company, Cincinnati Opera, The Carnegie, Wings Theatre, Algonquin Theatre, NYC and CINCY Fringe Festivals, Arrow Rock Lyceum, The Muny, Festival Shakespeare St. Louis, The Repertory Theatre of St. Louis, and he has been blessed to work with both his Sister and his Father. He is also honored to have worked for companies that have since closed their doors – Diogenes, Insight, The New Theatre, Historyonics and Stone Soup Theatre just to name a few. As a proud member of Actors Equity, Jared would like to thank all of you who continue to support live theater and the amazing Theatre Companies that make it all happen. Support the Arts!
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^ Resident Artist with The Human Race Theatre Company
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* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ° Equity Membership Candidate Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
Meet the Creative Team
Robert Hetherington+Director
Robert directed the first Human Race production of Count Dracula at the Victoria Theatre forty years ago and was a Resident Director here for over a dozen productions, including Angels in America, Scotland Road, The Boys Next Door, Tar2f, Baby, The Foreigner and Steel Magnolias before moving to Memphis to Chair the Department of Theatre & Dance at The University of Memphis for fifteen years. While at Wright State University, Bob and Joe Tilford made some memorable productions of Sweeney Todd, Pirates of Penzance, and Love’s Labours Lost. He is a two-time Tyrone Guthrie Award recipient for his work at The Stratford Festival of Canada working with Hall of Fame actor Brian Bedford, and author of over two dozen program essays for Canada’s Shaw and Stratford Festivals. Bob is a member of Stage Directors & Choreographers, the national labor union. He feels lucky to be in a Dayton rehearsal room once again and with such awesome theatre makers!
Joe Tilford#Scenic Design
Joe’s work includes hundreds of set and lighting designs for major professional theatres throughout the United States; among them are The Guthrie Theatre in Minneapolis, Arena Stage in Washington D.C., San Diego’s Old Globe, the Goodman Theatre in Chicago, The Chicago Shakespeare Theatre, The Repertory Theatre of St. Louis, the Cincinnati Playhouse in the Park, and many others. His set designs have been exhibited at the Prague Quadrennial in the Czech Republic and in a solo retrospective exhibit, The Designs of Joe Tilford, at the 50th Anniversary Conference of the United States Institute for Theatre Technology. A prominent figure in American higher education, he has taught design at Wright State University, Northwestern University, and the University of North Carolina School of the Arts, where he is now Dean Emeritus of the School of Design and Production and Professor Emeritus of the Scenic Design Program.
Kelsey GallagherLighting Design
Kelsey is a lighting designer originally from Overland Park, Kansas. As an artist she highly values collaboration and has worked with artists from theatre, visual arts, digital arts, animators, musicians, and dancers. She has worked all over from Florida to Kansas and is currently the Exhibit Lighting Designer for The National Museum of the United States Air Force.
Erin Eva ButcherCostume Design
Erin is a multi-disciplinary theatre artist thrilled to join HRTC for her 3rd season and 1st as Costume Designer. Erin is in her first season as Costume Shop Manager and was previously seen onstage as Caitlin in 2025’s The Comeuppance, and Barbara in 2023’s Barbecue. This is her first Costume Design in several years, however, she has an extensive background with Costume Construction- she worked for 8 years with Costume Works INC in Boston MA where she made costumes for American Repertory Theatre, Boston Lyric Opera, Harvard Hasty Pudding, Walt Disney World, Disney Cruise Line, Viking Cruises and many more. She was Founder and Artistic Director of Maiden Phoenix Theatre Company in Boston MA from 2013- 2018. She has appeared onstage with Great Lakes Theatre Festival, The Gamm, Merrimack Repertory Theatre, Actors Shakespeare Project, Company One, and imaginary beasts among many others.
Annabell MallardSound Design
Annabell is a sound designer and engineer from Atlanta, GA. She holds a BFA in theatre production from Auburn University and is currently pursuing an MFA in Sound Design at the University of Cincinnati College-Conservatory of Music. Other regional credits include work with City Springs Theatre Company, The FoCAL Center, and Tuacahn Amphitheatre. She would like to thank the cast and crew for their hard work and hopes you enjoy the show!
emily c. porterSound Design Advisor
bio coming soon
Sarah Gomes^Properties Design
Sarah has worked both on stage and off in Dayton and surrounding areas for over 20 years. She holds a B.A. in Theatre from the University of Dayton and a Drama Diploma from The Greater Hartford Academy of the Arts. Sarah’s areas of specialty in props include puppets, paper goods, and historical artifacts. In addition to working as Properties Designer at The Human Race Theatre Company since 2021, she has worked with Zoot Theatre Co, The Rising Phoenix Theatre Co, Sinclair Community College, University of Dayton, Central State University, Dayton Theatre Guild, The Dayton Playhouse, and Town Hall Theatre. Sarah is proud to be part of the vibrant arts community that Dayton has to offer.
Gina Cerimele-MechleyFight & Intimacy Director
bio coming soon
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^ Resident Artist with The Human Race Theatre Company
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+ The director is a member of the Stage Directors and Choreographers Society, an independent labor union
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
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* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ° Equity Membership Candidate Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
Meet the Production Team
- Production Manager
- Raey Bagley
- Stage Manager
- Isabella Myers*
- Assistant Stage Manager
- Phoenix Perry
- Substitute Assistant Stage Manager
- Kailie Gould
- Scene Shop Supervisor
- Jeffrey Heater
- Carpenters
- Sean Mayo, Logan Dabney, Tim Judge
- Scenic Artist
- Josh McEwen
- Costume Shop Manager
- Erin Eva Butcher
- Production Electrician
- Gabe Reichert
- Electricians
- Kayelyn Hesseling
- Wardrobe
- Andrew Ian Adams^
- Sound Engineer
- Bailey Olean
- Promotional Photographer
- Judd Plattenburg
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^ Resident Artist with The Human Race Theatre Company
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* Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ° Equity Membership Candidate Actors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
Partners and Sponsors
We are incredibly grateful to those whose support makes all of our programming possible. If you’d like to become a sponsor, contact Kappy Kilburn at (937) 461-3823 ext. 3112 or kappy@humanracetheatre.org

