Ms. Holmes & Ms. Watson, Apt. 2B
By Kate Hamill
Directed by Heather Wilson-Bowlby
- Dates:Oct 9 – Oct 20 2024
- Prices:$10 - $53
- Running time:130 min includes 15 min. intermission
This fast-paced romp re-examines the world’s most famous detective story with a bold new feminist lens. In this highly theatrical escapade, oddball female roommates Sherlock (yes, it’s also a girl’s name—wait, is it a girl’s name? Is it even a name?) Holmes & Joan Watson join forces. They emerge from the pandemic fog as a deeply codependent, quasi-dysfunctional Odd Couple adventure duo—solving mysteries and kicking butts, until they come face-to-face with a villain who seems to have all of the answers.
Prepare for an evening of laughter, suspense, and empowerment as ‘Ms. Holmes & Ms. Watson, Apt. 2B’ takes you on an unforgettable adventure that redefines heroism, friendship, and the art of deduction.
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Recommended if you liked… The 39 Steps, Deadline, Shipwrecked!
Performance Dates and Tickets
| Tuesday, October 8 • 7:30PM PAY WHAT YOU CAN |
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| Wednesday, October 9 • 7:30PM | |
| Thursday, October 10 • 7:30PM INSIDE TRACK • A pre-show conversation in the lobby with the creative team at 6:45 |
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| Friday, October 11 • 7:30PM | |
| Saturday, October 12 • 7:30PM | |
| Sunday, October 13 • 2:00PM WHILE WE’RE ON THE SUBJECT • A candid, post-show conversation with cast, thematic experts |
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| Sunday, October 13 • 7:30PM SAWBUCK SUNDAY |
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| Tuesday, October 15 • 7:30PM | |
| Wednesday, October 16 • 7:30PM | |
| Thursday, October 17 • 7:30PM | |
| Friday, October 18 • 7:30PM | |
| Saturday, October 19 • 7:30PM | |
| Sunday, October 20 • 2:00PM PARENTS’ DAY OUT • You watch the show, and we’ll entertain the kids (ages 5-12) with a world-class theatre workshop (a $100+ value) that is free with the purchase of your tickets. |
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The Playbill
- Executive Director Kappy Kilburn
- Artistic Director Emily N. Wells
- Creative Producer Tara Lail
- DIRECTOR HEATHER WILSON-BOWLBY
- SCENIC DESIGNER JEFF HEATER
- COSTUME DESIGNER JANET G. POWELL^
- LIGHTING DESIGNER DIANE FAIRCHILD#
- SOUND DESIGNER SARAH GOMES
- FIGHT DIRECTOR GINA CERIMELE-MECHLEY
The Cast
SHONITA JOSHI*Ms. Sherlock Holmes
Shonita is thrilled to return to Dayton, OH after the run of Shipwrecked! earlier this year. Born & brought up in Pune, India, she has degrees in banking, finance & journalism and graduated from Stella Adler School of Acting, NY in 2019. Some of her recent credits include A Christmas Carol, Origin Story, Wait Until Dark, Grand Horizons, Queen. Shonita will be seen next at the ‘Purple Rose Theatre, MI’. She dedicates her performance to the many children around the world who are caught in the crosshairs of wars and do not get to tell their stories. She hopes that as storytellers, we will continue to use our creativity, empathy and humanity to stop the cycle of violence. Instagram: @shonitajoshi, www.shonitajoshi.com
KELLY MENGELKOCH*Irene Adler, Mrs. Hudson, & Others
Kelly is so happy to play with her Human Race friends again! She was last seen here in This is Tom Jones!, also having appeared in Deadline (understudy performances), Everything That’s Beautiful, Brother Wolf, and Shenandoah. She has been a member of the resident ensemble at Cincinnati Shakespeare Company since 2004, and also loves working with Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Know Theatre of Cincinnati, CCM Theatre, and Xavier University. Recently she was goofing off at Cincinnati Shakespeare in Much Ado About Nothing, The Play That Goes Wrong, and Kindred Spirits. Film credits include Dark Waters, The Old Man and the Gun, Perception, Healing River, and C.S.A.: The Confederate States of America. For more information, visit kellymengelkoch.com.
MAGGIE LOU RADER*Ms. Joan Watson
Maggie (she/hers) is always grateful to be back at The Human Race where she was seen playing Marie Antionette in The Revolutionists and The Pilot in Grounded. After growing up on the red dirt of Oklahoma, she attended William Jewell College, Oxford University, and the Royal Birmingham Conservatoire. She’s performed regionally and internationally with Cincinnati Playhouse in the Park, Ensemble Theatre Cincinnati, Alabama Shakespeare Festival, Oklahoma Shakespeare in the Park, The Kitchen Theatre, The Know Theatre, Birmingham Old Rep, and Cincinnati Shakespeare Company. Some of her favorite memories on stage have been playing Maggie “the cat” in Cat on a Hot Tin Roof, June in Alabaster, The Pilot in Grounded, Lizzie in Maytag Virgin, and Marie Antoinette in The Revolutionists. She’s also a national award-winning playwright whose plays have been seen on stages coast to coast. You can follow her shenanigans as an actor and writer at www.maggielourader.com. Love to her folks, Justin, and the fur babies.
MATTHEW SIERRAInspector Lestrade, Elliot Monk, & Others
This is Matthew’s debut with The Human Race Theatre Company. He is an Actor, Puppeteer and Ohio native. Recent stage credits include Slave Play at Short North Stage, A Christmas Carol tour at The Ohio Theatre/Shubert Theatre, When We Were Young and Unafraid at Ember Women’s Theatre, The Motherfucker With The Hat and Hand To God with SNS, Gross Indecency: The Three Trials of Oscar Wilde and Sex With Strangers at The Contemporary Theatre of Ohio, and Breaking The Code with Evolution Theatre Company. Grateful to be a part of this incredible cast and team. Please enjoy the show!
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^ Resident Artist with The Human Race Theatre Company
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^ Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership CandidateActors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
The Creative Team
HEATHER WILSON-BOWLBYDirector
Heather has a BA in Theatre Arts from Catawba College and an MFA in Directing from the University of Memphis. Heather was the Artistic Director of The Old Courthouse Theatre from 1997-2007. Heather recently has been a freelance director and educator of theatre for many area theatres. Her favorite form of theatre she creates is oral history performance where she collects people’s stories to illuminate their experiences. Heather lives in Albemarle, NC with her husband Jon, and beloved pets: Isa, Kai, Salem, Oscar, Fred and Stazi.
GINA CERIMELE-MECHLEYFight Director
Gina is one of the few female Fight Directors in the country with the Society of American Fight Directors. Regional credits include: Alabama Shakespeare Festival, Opera Theatre St. Louis, Denver Center Theatre Company, Human Race Theatre, Playhouse in the Park, Cincinnati Ballet, Cincinnati Opera, Cincinnati Shakespeare Company, Ensemble Theatre Cincinnati, and Nin-tendo Motion Capture Studios. Gina focuses much of her time on her now nationally recognized private acting studio and her theatre company, Cincinnati Actor’s Studio & Academy. Gina has been awarded The United States of America Distinguished Teacher Award, was the first recipient of the Cincinnati Arts Association Arts Educator Award, and was nominated for the “Excellence in Theatre Education Award” presented by The Tony Awards. She was just dubbed a knight by the order of The Knights of Madoc, in honor of her “work in the art of stage combat and in recognition of her fine character and enduring good will.”
MARK TYNAN*Production Stage Manager
Mark is thrilled to be back in his native Ohio and able to see his great nephews, Elliott, Gabriel, Rowan, and Luca (and the rest of his family) in person rather than on the Facebook. Mark got his BFA from Wright State University with his first two years at The Ohio State University. He is a proud 40-year member of Actors’ Equity Association. His career includes Radio City Music Hall, subbing on Broadway, national and international tours, regional theatre and corporate events. It is an honor to be working with The Human Race Theatre Company, very grateful.
JEFF HEATERScenic Designer
Jeff is a graduate of Wright State University’s Design and Technology program. He has worked professionally with Town Hall Children’s Theatre, the Dayton Ballet, the Dayton Opera, CatCo, Scenic Solutions and Norwegian Cruise Line. Since joining HRTC as Carpenter/Charge Artist in 2022 he has been instrumental in generating high quality sets for each of the productions he has worked on. In his spare time, Jeff enjoys spending time with his wife and five cats, while continually updating his collection of Legos, swizzle sticks and antique cameras. This is Jeff’s second production as Scenic Designer for HRTC.
JANET G. POWELL^Costume Designer/Resident Artist
Janet is costuming her twenty-fifth show for HRTC. Recent HRTC costuming credits include This is Tom Jones!, for which she received the BroadwayWorld Dayton Award for Best Costume Design for a Play or Musical, Deadline, Incident at Our Lady of Perpetual Help, Airness, and The Revolutionists. She has costumed productions for Beavercreek Community Theatre, Dayton Playhouse, Yellow Brick Theater, Town Hall Theatre, joint productions for CCM and The Carnegie Visual and Performing Arts Center, and Memorial Hall in Cincinnati. As a former Norwood City Schools artistic director/educator, she directed, and costumed numerous shows over a period of 37 years. She thanks her family for supporting her in all her theatrical adventures.
DIANE D. FAIRCHILD#Lighting Designer
Diane is excited to return to her hometown and make her debut at The Human Race Theatre Company. Ms. Fairchild is a regional freelance lighting designer based in the Chicago area. Chicago area credits include work with Lifeline (ensemble), Rivendell (ensemble), Raven, Teatro Vista, Babes with Blades, the side project, Wilmette Parks District, Citadel, Erasing the Distance, Grant Community High School, Ovation Theater, Momenta, Academy of Movement and Music, Theater Wit, Wheaton College, Piven, Boho (artistic affiliate), Next, Northlight, Court, Sideshow, and Victory Gardens. Regional credits include work with Michigan Shakespeare Festival, Intiman, Trinity Rep, Michigan Shakespeare Festival, Ensemble Studio Theatre, Boise Contemporary Theatre, First Stage (Tysons Corner), and City Theatre. Her excellence in design has earned her nominations for Jeff, Broadway World Chicago, Wilde, and Midwest/Chicago Emmy Awards. Ms. Fairchild earned her BFA in Design and Technology from Wright State University and her MFA in Lighting Design from New York University. Diane lives in Evanston with her husband, two children, and their very adventurous tortoise.
EMILY C. PORTERSound Designer
This is emily’s second production with The Human Race. She has worked on productions in Canada, the USA and internationally and teaches university theatrical sound design and technology. She would like to thank her family for their continued support.
Sarah GomesProperties Designer
Sarah Gomes (Properties Designer) has worked both on stage and off in Dayton and surrounding areas for over 20 years. She holds a B.A. in Theatre from the University of Dayton and a Drama Diploma from The Greater Hartford Academy of the Arts. Sarah’s areas of specialty in props include puppets, paper goods, and historical artifacts. In addition to working as Properties Designer at The Human Race Theatre Company since 2021, she has worked with Zoot Theatre Co, The Rising Phoenix Theatre Co, Sinclair Community College, University of Dayton, Central State University, Dayton Theatre Guild, The Dayton Playhouse, and Town Hall Theatre. Sarah is proud to be part of the vibrant arts community that Dayton has to offer.
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^ Resident Artist with The Human Race Theatre Company
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^ Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership CandidateActors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
The Production Team
- Technical Director
- MACKENZIE PERIN
- Carpenter/Charge Artist
- JEFF HEATER
- Production Stage Manager
- MARK TYNAN*
- ASSISTANT STAGE MANAGER
- DANITZA PIPER
- Assistant Fight Director
- Chancellor Pullins
- Dialect Coach
- DEBORAH THOMAS
- Costume Shop Manager
- VICTORIA “ORI” RANCOR
- Wardrobe
- ANDREW IAN ADAMS^
- Assistant Sound Designer
- Lucia Thill
- SOUND OPERATOR
- BAILEY OLEAN
- RUN CREW
- ISABELLA MYERS
- PRODUCTION ELECTRICIAN
- JOSH RHODES
- PRODUCTION PHOTOGRAPHER
- SCOTT J. KIMMINS
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^ Resident Artist with The Human Race Theatre Company
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^ Appearing through an Agreement between this theatre and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
° Equity Membership CandidateActors’ Equity Association (AEA), founded in 1913, represents more than 49,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL-CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org
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# United Scenic Artists, Local USA 829 of the IATSE is the union representing Scenic, Costume, Lighting, Sound and Projection Designers in Live Performances.
The Playwright
Kate HamillPlaywright
Originally from the farms and fields of upstate New York, Kate is an award-winning NYC-based actor/playwright. She is deeply passionate about creating new feminist, female-centered classics, both in new plays and in adaptation: stories that center around complicated women. Her work as a playwright celebrates theatricality, often features absurdity, and closely examines social and gender issues – as well as the timeless struggle to reconcile conscience / identity with social pressures. As an actor, she tends to play truth-tellers, oddballs, and misfits.
Kate was named 2017’s Playwright of the Year by the Wall Street Journal. She has been one of the 10 most-produced playwrights in the country, 3 seasons running (2017-2020); in both 2017-2018 and 2018-2019, she wrote two of the top 10 most produced plays in the U.S.; many of her plays have been produced internationally. Future productions, including 4 world premieres in 2019/2020: Dracula at Classic Stage Company, Emma at the Guthrie, Prostitute Play at Cygnet Theater, and Scarlet Letter at South Coast Rep. Her previously-produced plays include Sense and Sensibility (Bedlam; in which she originated the role of Marianne) – Winner, Off-Broadway Alliance Award; Nominee, Drama League Award; 265+ performances off-Broadway; “Top Ten Theater of 2014” – Ben Brantley; “the greatest stage adaptation of this novel in history” – Huffington Post. Other plays include Vanity Fair (The Pearl; in which she originated the role of Becky Sharp; Nominee, Off Broadway Alliance Award; WSJ Critic’s Pick), Pride and Prejudice (Primary Stages / HVSF; in which she originated the role of Lizzy Bennet; Nominee, Off Broadway Alliance Award; “Best Theater of 2017”, Huffington Post; WSJ Critic’s Pick), Little Women, Mansfield Park (originated role of Mary Crawford), and Dracula (Classic Stage Company; originated role of Renfield; WSJ Critic’s Pick.)
Her plays have been produced off-Broadway, at A.R.T., Oregon Shakespeare Festival, the Guthrie Theatre, Portland Center Stage, Seattle Rep, PlayMaker’s Rep, Hudson Valley Shakespeare Festival, Dallas Theater Center, Folger Theatre (8 Helen Hayes Award nominations; Winner, best production) & more. Kate’s Sense and Sensibility, Pride and Prejudice, Vanity Fair, and Little Women are published by DPS. She is currently working on an adaptation of The Odyssey (commissioned by A.R.T.) as well as several new original plays – including Love Poem, In The Mines (Sundance Semi-Finalist; now collaborating with The Bengsons on this piece), Em (Red Bull New Play finalist), the Prostitute Play (O’Neill Semi-Finalist), and The Piper (O’Neill Finalist, PlayPenn Haas Fellow play).
Additional acting credits include: Talley’s Folly (Syracuse Stage; WSJ Critic’s Pick; TheaterMania best productions of 2020) The Seagull (Bedlam; “best classical productions of 2014” – WSJ) Noises Off (Syracuse Stage), The General from America (HVSF), Cyrano (“Outstanding Performance by an Actress”- DFW Critics Awards, Amphibian Stage), Internet Famous (Youngblood), Dreams of A West Texas Marsupial Girl (PearlDamour), All That Fall (Cherry Lane), and more. Numerous independent films that she has performed in have gone on to festival success, including: Clermont Ferrand Film Festival, Cannes Film Festival, Festival del Film Locarno, Brooklyn Film Festival, Boston Int’l Film Festival, New Orleans Film Festival (Jury Award Finalist), Honolulu Film Festival, Black Maria Film Festival (Stellar Award), etc. Kate has a BFA in Acting, Ithaca College.
Partners and Sponsors
We are incredibly grateful to those whose support makes all of our programming possible. If you’d like to become a sponsor, contact Kappy Kilburn at (937) 461-3823 ext. 3112 or kappy@humanracetheatre.org